Architecture and streetscape illustrations

I specialise in freehand drawings of architecture and streetscapes. Whether from photographs or in person, I work to capture the spirit of a place and of a build, not just its structure. My illustrations live in miniature, which allows me to fold layers of detail into small spaces. It is slow work, often consuming hours, but it is where I find rhythm, meaning and meditation. Some drawings stay as delicate lines, others bloom with colour - each one a quiet tribute to the built world.

 About me

  • Being half Lebanese and half Iranian, I grew up bridging different cultures which deeply shaped how I see the world. From the age of one, I was travelling between countries, absorbing the architectural styles of different cities and the quiet details of domestic life. This early exposure to diverse environments left a lasting impression, sparking a lifelong interest in the structures that define place and identity.

    In my early thirties, I took a solo journey through Slovakia and Poland with the intention of creating something meaningful from the experience. Instead of taking photographs, I chose to draw - capturing the interiors of the apartments I stayed in with pen and paper. It became a kind of respite, a way to connect with space and memory through observation. During that time, I discovered a love of line, detail and the meditative quality of drawing buildings from the inside out.

  • My niche is increasingly miniature with a focus on capturing innate detail guided purely by observation which I believe brings forth a very personal and organic interpretation of the build. Whilst accuracy is the focal point and a challenge I enjoy, I also aim at developing my own style as I go along.

  • Paper: Moleskin sketchpad paper (cream coloured pieces), 140 - 160gsm all media acid free cartridge paper and 250gsm Daley Rowney Smooth.

    Tools: HB pencils to sketch. 0.03mm Unipen (black) fine-liner to line up and Faber-Castell/Tombow artist brush pens for colour.

  • For highly detailed work I sketch a brief outline of small sections part by part. I then line my work within each stage before moving onto the next. This allows me to focus on a more methodological and steady approach, taking time to honour the patience and meditation in slowly build up a picture.

    With simpler structures I may sketch out the full outline and focus more on capturing the essence of a place or a build, rather than every detail. These little projects are practised between large ones and typically takes a minimal amount of time i.e. a few hours.

    • Art Nouveau, Baroque and Rococo designs for their grand, decorative and ornate structures.

    • Urban Japan for streetscape aesthetics.

    • Chinese, Japanese and Korean temples.

    • Persian and Uzbek mosque’s for colour and intricacy.

    • Creative and unusual modern architecture such as the works of Zaha Hadid.

    • Leeza Soho, Beijing (specifically, the interior atrium).

    • Temple of Heaven, Beijing.

    • Catherine Palace, Saint-Petersburg.

    • St Basils Cathedral, Moscow.

    • Brussels Town Hall.

    • Shah Mosque, Esfahan.

    • Palace of Versailles (specifically, the ‘Hall of Mirrors’)

    • Madurai Meenakshi Amman Temple, Tamil Nadu.

    • Milan Cathedral.